Turning Portraits is a meditation on the act of looking while turning or shifting. Faces become elusive, partially withheld, caught in moments of hesitation or retreat. These works explore the tension between presence and withdrawal, intimacy and distance, inviting the viewer into the unsettled space between recognition and unknowing. The portrait becomes less a record of identity than a reflection on the gaze itself—its limits, desires, and refusals.

Klein Bottle is a series of paintings that fold inward and outward at once, exploring form without inside or outside. Inspired by the paradoxical geometry of the Klein bottle—a surface that loops through itself without boundary—the works suggest a vessel turned in on itself, porous and recursive. Soft reflections and subtle ruptures imagine the body as both volume and passage.

Turning Portraits is a meditation on the act of looking while turning or shifting. Faces become elusive, partially withheld, caught in moments of hesitation or retreat. These works explore the tension between presence and withdrawal, intimacy and distance, inviting the viewer into the unsettled space between recognition and unknowing. The portrait becomes less a record of identity than a reflection on the gaze itself—its limits, desires, and refusals.

Celestial Bodies – Rapture explores the push and pull between exposure and ambiguity, sensation and silence. The works evoke both bodily intensity and a kind of drifting, tracing thresholds where the explicit becomes unknowable. While rooted in the physical and sensual, their ambiguous abstraction opens into an uncertain space. Here, the body loses solidity and slips into something porous, into shimmer and grain, more atmosphere than form.

An analemma captures the figure-eight trajectory traced by the Sun or Moon in the sky, as seen from a fixed location on Earth across various dates within a year. In the Analemma paintings, this lemniscate pattern morphs into an ambiguous and sensuous motif.